Hap
If but some vengeful god would call to me
From up the sky, and laugh: “Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love’s loss is my hate’s profiting!”
Then would I bear, and clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased, too, that a Powerfuller than I
Had willed and meted me the tears I shed.
But not so. How arrives it joy lies slain,
And why unblooms the best hope ever sown?
—Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan….
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.
Thomas Hardy, 1866.
Does Fate exist, or not? The things that happen to us--the joys, the pains--are they planned for us? Or does Chance rule our lives? It is a much-discussed question, with apparently little common ground between the two factions. But what about the third option? What about making our own fate, our own chances? Isn't that the hardest truth to come across? And the option with the most hope? Because we can't fight either Fate or Chance. But habits and attitudes and choices, those we can influence. We can become aware of them, determine those that are useful and those that block our way. And when we are aware, can we not weed out the bad and harbor the good?
It's a lot more work than just accepting Fate or Chance. It requires a clear eye and vigilant conscience. It carries risk of dissatisfaction of oneself and recriminations with it. But what greater reward is won, knowing what we have is due to our own actions, our own decisions.
Showing posts with label melancholy. Show all posts
Showing posts with label melancholy. Show all posts
Saturday, March 29, 2008
Monday, March 17, 2008
An Irish Poet for an Irish Day
When You Are Old
When you are old and gray and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
William Butler Yeats, 1893
I think of this poem as a sort of last-ditch effort of the poet to win the heart of his love. If it had been written to me, it probably would have worked. Who would not prefer to be loved for one's soul, whether young or old, than one's beauty?
When you are old and gray and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
William Butler Yeats, 1893
I think of this poem as a sort of last-ditch effort of the poet to win the heart of his love. If it had been written to me, it probably would have worked. Who would not prefer to be loved for one's soul, whether young or old, than one's beauty?
Friday, February 1, 2008
Winter, again
258
There's a certain Slant of light,
Winter Afternoons --
That oppresses, like the Heft
Of Cathedral Tunes --
Heavenly Hurt, it gives us --
We can find no scar,
But internal difference,
Where the Meanings, are --
None may teach it -- Any --
'Tis the Seal Despair --
An imperial affliction
Sent us of the Air --
When it comes, the Landscape listens --
Shadows -- hold their breath --
When it goes, 'tis like the Distance
On the look of Death --
Emily Dickinson 1861
When I tell people my favorite poet is Emily Dickinson, I often get a remark that she is too depressing. It is true that she writes about death a lot. She writes of death intellectually, questioningly, ambivalently, even tenderly, exploring the concept and inviting me to explore with her. Those poems I do not find depressing.
This one I do. It's been running through my head all day. I've had too much winter, I think. Literally and figuratively.
There's a certain Slant of light,
Winter Afternoons --
That oppresses, like the Heft
Of Cathedral Tunes --
Heavenly Hurt, it gives us --
We can find no scar,
But internal difference,
Where the Meanings, are --
None may teach it -- Any --
'Tis the Seal Despair --
An imperial affliction
Sent us of the Air --
When it comes, the Landscape listens --
Shadows -- hold their breath --
When it goes, 'tis like the Distance
On the look of Death --
Emily Dickinson 1861
When I tell people my favorite poet is Emily Dickinson, I often get a remark that she is too depressing. It is true that she writes about death a lot. She writes of death intellectually, questioningly, ambivalently, even tenderly, exploring the concept and inviting me to explore with her. Those poems I do not find depressing.
This one I do. It's been running through my head all day. I've had too much winter, I think. Literally and figuratively.
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